Fantastic Fest Review: Tigers Are Not Afraid


Written by Antonio Quintero

              Tigers are not afraid is my favorite film of Fantastic Fest 2017. The film was made by Mexican Filmmakers Issa Lopez. It’s a beautiful film; but also, an important film about the crimes that are happening to our neighbors to the south. I was aware about the violence occurring in Mexico due to the drug war; but I was not aware about the Children that have been left orphan on the street by the drug war; as their parents were taken by the Narcos and never heard from again.

              The film takes places in the town of anywhere, Mexico. It follows a young girl named Estrella. One day after coming home from school she finds her mother missing. After days of not hearing from her she goes into the streets to find her. In her journey, she meets group of orphan children living on the street. They lost their parents due to the Narcos. She joins them to survive on the street. They eventually get into conflict with their local criminal gang when they find incriminating evidence of the gang’s boss.

              Tigers are not afraid is a mixture of Fantasy and Neo-Realism, a combination of Terry Gilliam and Roberto Rosellini. In the film Estrella is having this moments where she is seeing supernatural images around her. It’s kept ambigious whether these images are real or only in her head. This doesn’t matter as it gives the film a fairy tale atmosphere.

              I see this film as a story about the way in which Children are affected when living in a war zone. In this environment of war; imagination is not just a flight of fancy; but a survival mechanism. The reality is so harsh for Estrella to face.

              This film has amazing cast of kids. We had a lot of good kid’s performance this year; such as in Strange Things and the It film; the cast of Tigers are not afraid joins this group of distinguish child actors. You will fall in love with these kids, they try to act tough; but then you see their vulnerability and realize there just kids. The film does not pull any punches, this children are in mortal peril from the Narcos.

The direction and cinematography are amazing. It reminds me of Spielberg’s direction in E.T. Were your seeing this film thru the eye of the children. You get this moment were you are just seeing the world were the kids are the only thing on the screen and you don’t see any adults.  Most of the adult are seen by them as a threat.

One of the best film I seen out of Mexico in a long time. If you have the opportunity to watch this film do not miss it. At the moment it has only been release in Mexico and its playing in a few festival thru out the USA. It has not yet gotten an official release in the USA.




Review Written by Tron DeLapp 

Director: Nattawut Poonpiriya

Starring: Chutimon Chuengcharoensukying, Chanin Santinatornkul, Eisaya Hosuwan, Teeradon Supapunpinyo

            Do you remember a pretty good little heist/caper from 2004 called The Perfect Score, where Erika Christensen, Matthew Lillard, Captain America and the Black Widow break into the Princeton Testing Center in an attempt to steal the SAT answers in an effort to get perfect scores?  Bad Genius is a Thai heist thriller in the same vein about students attempting to scam the International SAT test in an effort to ensure perfect scores.  Bad Genius is not a remake, rather a thriller in the same mold based on true events with more of an emphasis on class issues and teen social issues.  However, if you were pleasantly surprised by how good The Perfect Score was chances are you’ll enjoy Bad Genius, which I believe was a far superior film… and I’m a fan of The Perfect Score!

            Lynn (Chutimon Chuengcharoensukying) is a straight-A secondary school girl living with her father who is a teacher.  He gets her enrolled into a prestigious school  as he wants her to have all the advantages that he didn’t have.  She quickly asserts herself a one of the top two students in the school, along with a kid named Bank (Chanin Santinatornkul), a prudish do-gooder no one really likes.  Lynn becomes friends with a nice but intellectually challenged girl named Grace (Eisaya Hosuwan) who convinces Lynn to tutor her.  However, Grace has an ulterior motive.  She dates a super-rich kid named Pat (Teeradon Supapunpinyo) who is also not too bright.  Pat’s problem is his rich dad graduated from Boston University and has a desire is to see Pat graduate from his alma mater.  Pat, however, is as dumb as a stump so this is going to prove difficult, unless he can get Lynn to tutor him too for a ridiculous sum of money… well, him and a few friends, each one paying a ridiculous sum.  Lynn is resistant until she finds out the school she goes to extorts the parents of students to pay a maintenance fee above and beyond tuition and she is scandalized her poor, hard-working father is being extorted like that.  Now it’s game on.

            Lynn is a musical genius as well and, since almost all the tests they take are standardized, she devises simple musical cues with her fingers that transmit the answers during the test.  This works fantastically, even when the school puts out multiple copies of the same test, until one of the dumber members of the group lets slip to Bank that he’s not smart enough to do the music thing and offers him money to let him copy.  Bank immediately narcs the dumb kid out,  resulting in Lynn getting reprimanded by the school and almost expelled.  Instead it blows her chance for a scholarship, a scholarship in which her only competition was Bank.  With her life in a downward spiral, Pat comes up with a plan to cheat the STIC test (the International SAT’s) which will earn them millions of dollars.  Lynn doesn’t see a way to do it until she studies time zones and figures out that Australia will technically take the test first so if she flies to Australia and memorizes all the answers she can transmit them back to Thailand and they can all get rich as well as posting a fantastic score on the test.  However they can only do it with Bank’s help and since he’s such a good guy he’d never assist them in a scam of this nature.  In a bizarre  twist of fate, Bank is beaten up while he attempts to help his poor mother run her laundry service and misses the test, thus ruining his future as well.  He is brought in by Lynn and Pat and agrees to fly to Australia and help Lynn memorize the answers and transmit them back until the night before they leave and Pat lets it slip he paid the thugs to beat Bank up, putting the scheme in jeopardy.  Can Lynn and Pat convince Bank to continue on with the job?  How much more will it cost them?  Will Lynn go through with the scam when she finds out Bank was set up by Pat?  Will they be able to work together in Australia to pull the scam off?  Is Australia nice this time of year?

            I had heard that several people found Bad Genius to be slow and a little boring but I would very much disagree with that assessment.  Bad Genius manages to build a tension in the film from the first test forward which is surprisingly effective.  Everything goes swimmingly until the school pulls a few tricks on Lynn and her cohorts, forcing them to come up with some very creative solutions to standard problems, such as the aforementioned multiple test copies.  The screenwriters anticipate a lot of problem areas by having researched methods of standardized tests as well as actual methods for cheating those types of exams as seen on the news.  The script took a year and a half to complete and the story was developed in the vein of a Hollywood thriller while still being grounded in socio-political framework that would be relatable to a Thai audience and they succeeded like gangbusters, becoming the highest-grossing Thai film of 2017 and garnering tons of International acclaim, such as this piece right here.  The ‘will they get caught and when/how’ question permeates the narrative and builds quite a bit of dramatic tension as you know something’s going to go horribly wrong, then surprise when the cast extricates themselves from the dilemma only to go rushing into the next untenable situation… and the next… and the next.

            Part of what makes Bad Genius work so well is the cast, made up of largely unknown actors.  The character of Lynn, especially, was extremely well done and the actress, Chutimon Chuengcharoensukying, was a fashion model before taking on the role.  The other supporting cast had also not been in a feature film before this one yet they do such a good job of inviting you into the characters that I’m sure this will not be their last effort.  Both Lynn and Bank are lower-class kids who have a real desire to help their families and raise themselves up from their underclass lives through education while Pat and Grace are rich kids who also seek the approval of their parents through academia.  They have money but no intellectual aptitude while Bank and Lynn have all the brains in the world but no money with which to ease their lives.  It’s when these two economic classes meet that decisions are made that could change all of their lives for the better…. provided they can get over the illegality of their plans.  Several times the question is put forth to Lynn, “wouldn’t it be better to teach them?” and it’s one of the driving themes of the picture – difficulty versus ease.  Risk versus reward.  Intelligence versus money.  Rich versus poor.  All wrapped up in a caper film that’s very much deserving of attention due to the fact that the filmmakers were very smart about posing those questions in a movie that walks a tightrope between the morality of the kid’s choices aside a thrilling adventure yarn and damned if it doesn’t succeed mightily.

            Bad Genius is a caper film that manages to balance Thai social and political themes among the framework of a modern Hollywood thriller and manages to succeed on both levels, largely due to a great cast, a tightly researched script grounded in real life events and an idea that lends itself well to entertainment and commentary.  The film has proven to be a success overseas, confirming the concept isn’t just limited to Asian audiences and provides more than it’s share of entertainment value, taking a mundane subject and infusing it with genuine thrills and suspense.  It’s no surprise, then, that Bad Genius comes HIGHLY RECOMMENDED.  



Review Written by Tron DeLapp

Director: Jimmy Henderson

Starring: Jean-Paul Ly, Tharoth Sam , Dara Our, Celine Tran

            I am a huge fan of Asian cinema and a big proponent of martial arts films so when a film festival like Fantastic Fest comes around I make sure to pay strict attention to any movie that seems to encompass those categories.  It goes without saying that as soon as I saw the trailer for Jailbreak I knew that it was not only going to make my ‘must see’ list I was pretty sure I was going to give it a favorable review.  This piece here serves to confirm the truth of those statements. 

            The first thing I thought when the trailer played was this film is Cambodia’s version of The Raid except set in a prison and that assessment isn’t that far off of Jailbreak’s end result.  The movie acts as a vehicle to showcase the ‘knees and elbows’ fighting style of bokator and succeeds at this dramatically with the fight scenes coming fast and furiously, ala The Raid, which is why the comparison between the two films is rather apt.  There was enough fisticuffs and humor in the teaser trailer alone to ensure that this was going to be a great time in the theater and the movie did not disappoint one iota.  The criticism I heard levied at the film came from problems with the plot, which to some seemed rather thin; I counter with the people who thought that don’t get out and watch very many martial arts films.  Jailbreak isn’t Gone With The fucking Wind and isn’t going to waste a ton of it’s 100 minute run time adding subtle nuances to it’s characters or adding complex sub plots about the socio-political status of the country of Cambodia, nor should it.  The reason Crouching Tiger, Hidden Dragon was so well received is it was an aberration in the milieu of Asian martial cinema, more of an art piece with martial arts rather than a martial arts film and that works great for what it’s trying to accomplish.  However, as great as Crouching Tiger was, Iron Monkey proves to be a more entertaining film.  Jailbreak, much like The Raid, is striving to be Iron Monkey rather than Couching Tiger and it succeeds mightily.

            The story centers around the character of Playboy (Savin Phillip ), a notorious criminal caught by Cambodian police, who are sure he’s the leader of the infamous Butterfly Gang.  Playboy is not and sees this as an opportunity to reduce his sentence so, as he’s exiting the courtroom, makes the bold statement to the press that he’s willing to cough up the name of the real leader of the Butterfly Gang if he can be set free.  This, of course, royally irritates the real leader of the Butterfly Gang (adult film actress Celine Tran in her film debut) who is already stinging from Playboy’s betrayal.  She finds out which prison Playboy is set to be transferred to and contacts a prisoner inside, Bolo (Siriwudd Sisowath), offering large amounts of money if Playboy suddenly found himself dead before the big reveal.  This doesn’t bode well for the four police officers set to do a routine prisoner transfer by bringing Playboy to his new accommodations.  The transfer goes off without a hitch but on the way out of the prison, the cops discover Bolo has been a busy guy, releasing all but the most hardened criminals with the mission of killing Playboy.  Now, trapped in a prison with hundreds of vicious thugs screaming for Playboy’s blood, the cops must go back into the mouth of the beast in order to save Playboy, a scumbag that deserves what he gets.  To make matters worse, due to some prisoner double-dealing, the Butterfly Gang themselves decide that if you want something done right you have to do it yourself, descending on the prison to right their own wrong.  Good thing these cops kick a lot of ass.

            The movie goes from there to non-stop mortal combat in 3.2 seconds.  The police in the prison are made up of stunt choreographers and real-life MMA bad-ass Tharoth Oum Sam (who was at our screening and personally greeted and thanked everyone on the way out of the theater) so you know the fight scenes, of which there are many, have an element of realism that sets it above most martial arts thrillers.  At the Q+A we were told they attempted to put 22 fight scenes in the movie but due to it’s shorter run time they were only able to work in about 19, all of them brutal.  Tons of scenes with one or two of our hapless cops, just trying to save their own lives as well as that of a key witness, being descended upon by hoards of screaming prisoners and forced to defend themselves abound in Jailbreak, with choreography so inspired I saw things even I’ve never seen in action films of this type and I’ve seen plenty.  This creates a relentless, adrenaline pumping tone which is carried throughout the entire rest of the film, especially when the hyper-violent criminals, including the cannibal, enter the fray.  The action works like a video game, where tons of underlings attack at once, creating a frenzy of fists, elbows, knees and environmental attacks that permeate the screen, bodies flying everywhere, that ultimately leads to a battle with a slightly tougher enemy, escalating in such a manner until the final confrontation which isn’t as final as you’d believe.  The film is not without it’s elements of humor as well, which helps off-set the almost constant fight scenes and brings a certain self-referential element to the movie, showing the filmmakers knew exactly what they were doing while making this type of thriller.

            It goes without saying that if you like an almost non-stop action thriller like The Raid, combined with a sense of humor that wouldn’t be out of place in the works of Sammo Hung, Jailbreak is definitely the film for you.  Chock full of brutal and relentless fighting, amazing pacing and enough goofy comedy to take some of the bite of the brutality out, Jailbreak stands as a testament to how to make a fun and engaging action thriller and should be doubly praised for coming out of Cambodia, a country not well known for it’s genre film output.  Hopefully this isn’t the last we’re going to see of Jimmy Henderson and his talented cast and stunt team they had to build from scratch.  Seeing as how The Raid got a sequel, I’m sure Jailbreak will turn enough heads to warrant the same consideration.  Of course, it’s TOTALY RECOMMENDED.

The Nude Vampire


Written by Tron Delapp

Jean Rollin is the kind of director the word ‘auteur’ was created for.  Much like Mario Bava, Dario Argento, Lucio Fulci and Jesus Franco, Rollins unique visual style and almost completely avant garde approach to film-making permeates every film he ever made, resulting in one man’s unique vision hitting the screen.  You never know what you’re going to get with a Jean Rollin film; he may approach the heights of his masterpiece, The Grapes of Death or you could end up with Zombie Lake or anything in between.  The Nude Vampire, his second film which played at Fantastic Fest this year as part of it’s usual repertory screening falls closer to The Grapes of Death than it does Zombie Lake but it’s definitely not for everyone.  The Nude Vampire is far more of a fantasy than a horror film and crammed to the gills with Rollin’s signatures: extremely low budget, nudity, oblique camera angles, off-kilter plot progression and surrealistic approach to the subject matter, making The Nude Vampire much more of an interesting viewing experience.

The plot goes something like this;  A girl in a sheer orange nightgown (Caroline Cartier) is wandering the streets pursued by several men wearing bizarre animal masks.  She encounters a dandy named Pierre Radamante (Olivier Rollin) who is immediately struck by her beauty and attempts to help her escape.  However, she is shot down before his eyes and carted off to an exclusive club his father belongs to.  When he brings it up to his father, played by Maurice Lemaitre, he is told to mind his own business and continue dallying with the hot twins his father has provided for his amusement (the twins are Catherine and Marie-Pierre Castel, with whom Rollin would continue to work with in subsequent films).  Pierre is angry his father would keep such beautiful women for he and his club mates and is determined to find out what happens behind closed doors, drafting his friend Robert (Pascal Fardoulis) to help him infiltrate the club.  Once they do the find a weird suicide cult where people play Russian Roulette where their bodies are offered up to the woman in the orange nightgown!  They are almost caught and Pierre confronts is father for answers, only to be told that his father is protecting the girl from a rival cult, they wear masks to ensure she never sees their faces as she has never seen a human before Pierre and they don’t want her to know she is different, she eschews sunlight and exists on human blood.  In short, she’s a vampire.  His father is hoping to find someone else with the same exotic blood type as her in order to cure her condition, all the while hoping to uncover the secrets of immortality.  He tells Philip to come back in 24 hours and more would be revealed.  However, as soon as Philip is gone, he rents another mansion outside of Paris and retreats there with his vampire, the household staff and his science pals, leaving his assistant Solange (Ursule Pauly) behind to take care of some minor loose ends, such as misleading Pierre and killing Robert.  Pierre is smitten and won’t take no for an answer so he tracks his father to the new mansion in hopes of getting more answers but instead finds more than he’s bargained for when it’s revealed that the house they’re renting is actually owned by the leader of the ‘rival cult.’  Hi-jinks ensue and the story definitely leads itself away from the trappings of a horror thriller and deeper into the realm of surrealist Fantasy.

The restoration is absolutely gorgeous with Rollin’s wonderful color palette really shining through.  The acting ranges from competent to laughable but with Rollin’s hand at the helm the film does not degenerate into farce but rather makes the disparate elements work together and enhance the surrealism you’re currently viewing.  There is the undercurrent of the lower class rebelling against the exploitation of the corporate classes but it’s so deftly intertwined into the story of a man attempting to save the girl he’s fallen for that The Nude Vampire almost becomes the perfect blending of art and exploitation and make no mistake, there’s enough nudity in this film to definitely be called exploitation.   Yet that is one of the strengths of Rollin’s overall body of work – the bizarre blending of the fantastic, the socially conscious and the exploitative that it’s almost impossible to separate them.  It’s low budget grindhouse meets Dadaist surrealism and it provides a fascinating and often challenging viewing experience.  The Nude Vampire is a much more understandable work than his first effort, Rape of the Vampire but it still shares the same gonzo, free-wheeling sensibilities that made that film such a controversial piece upon release, though I’m sure less people hated The Nude Vampire than they did Rape of the Vampire.

Regardless of the pretentious criticism, The Nude Vampire succeeds as a film that, as stated before, is much closer in execution to Rollin’s masterpiece The Grapes of Death than it is to his lesser efforts such as Zombie Lake (which is by no means the worst zombie movie ever but it’s in the bottom 20% for sure, right next to Oasis of the Zombies).  The film is full of mystery, science-fiction, a little horror and a ton of nudity, all wrapped up in Rollin’s trademark visual style.  The story is secondary to the visuals, the most telling lines in the film occur at the end when two characters are walking away and one asks, “Do you understand any of this?”  The reply, “Not really.”  Rollin is less interested in telling you a linear story than to give you a pervasive sense of mystery throughout the viewing experience and, though this movie is far more understandable than much of his work, that’s exactly what Rollin delivers. The film is definitely not for everyone but if you like a little surrealism with your Fantasy and a little nudity with your vampires, then The Nude Vampire is TOTALLY RECOMMENDED.

The Top 10 Films I Saw At Fantastic Fest 2017


As in every year I make a list of the top 10 films I saw at the festival. I put this list in no order. This are the films which define to me 2017 Fantastic Fest. This are short synopsis.  I would later publish full reviews of this films


  1. Bad Genius


The most ambitious film I seen from Thailand. It’s a heist film that takes place in High School. A child prodigy leads a team of students to instead of stealing money; their stealing answers for one of the most difficult Aptitude test in the world. They hatch a plan to get the answers and make a whole lot of money from selling the answers to rich students. It’s a great mix of high school life with a heist film.


  1. Good Manners



An epic supernatural film from Brazil. I don’t want to tell you anything about this film. You will enjoy this film the less you know about it. The only thing I can tell you it involves the moon and pregnancy. This film reminds me of those miniseries that are edited down to a feature film.

3.  Tigers Are Not Afraid



My favorite film of the festival. A story were reality and fantasy meet, The Tigers are not afraid is about a group of children that have been left orphans by the drug war in Mexico. Their parents were killed the Narcos. Now they are trying to survive on the streets. These kids are not safe; they are under great peril This film will pull on your heart-strings.

  1. Junkhead



An animated stop-motion post-apocalyptic epic about robots and mutants fighting each other in an underground system. This is like if someone made a feature of a liquid television segment.


  1. Brawl in Cell Block 99


The way I would describe this film is if someone made an American version of the story of Ricky. It stars Vince Vaughn as a drug trafficker that has recently being put in jail for a drug charge. Criminals threaten his wife on the outside that they would hurt her unborn baby unless he kills a prisoner in the Maximum-Security Cell Block 99. Vince Vaugh character has superhuman strength and he can break bones like they were made from cardboard. It’s fun action dark comedy.


  1.  Haunters



A documentary on Haunted Houses across the USA that is both funny and terrifying. It follows the people who create and work in haunted houses. It has the scariest scenes I ever seen at Fantastic Fest.

  1.  Blade of The Immortal


The 100th film from Takashi Miike and he hasn’t lost a step. It has a Samurai that was granted the power of immortality; but sadly, for him not the ability to not feel pain. Now he can take an insane amount of injuries and not die. He is on a mission to protect the daughter of a deceased lord from his enemies. The enemies of the lord send an army after him and he throws them back at them one piece at the time.


  1. Anna and The Apocalypse



A Scottish Zombie High School film you would want to put in your list of Christmases. It’s the story of a group of kids that are just trying to put on a Christmas play in their High School and at the same type they are going thru the same drama you seen in other high school drama; but then the zombie apocalypse. In between all this horror and drama, you get great musical number. If it wasn’t for all the swearing and gore this would be a Disney Channel musical.


  1. Top Knot Detective



An amazing documentary about a little know Japanese Samurai show. The show is about a Ronin detective that walks Japan having adventures fighting such as Penis Monsters and Lesbian Cannibals. Even more interesting than the show is the behind the scenes stories which include sex scandals and murder. One of the best documentary I ever seen about Japanese media and Corporate Culture. It’s also one of the funniest things I ever seen.

  1. Revenge




A great revenge film about a woman who is being hunted by 3 hunters in the desert; because they want to delete the evidence of their crimes against her. She proves to be a tougher prey than expected. You should turn off your logic button as people in this film bleed a ludicrous amount of blood. This people should not be able to walk around with the amount of blood they lose. At one point the hunters are following a trail of blood for more than a mile. This is still a fun exploitation film.






Best Short


The Accomplice


This is not only the best short I saw at the festival; but probably one of the top 3 short films I seen at Fantastic Fest. The accomplice takes place in the early 90s as it’s the perfect time to the narrative of the story. The film is about a man who has been away from his home on a business trip. He finds his answering machine has 18 messages. He listens and it’s a friend that tells him about the story of a bank heist which our lead is unknowingly part of it. This film has an amazing conclusion. You are listening to a bank heist in a living room from planning to execution. It’s an amazing use of a few resources to craft a great story.



      A film from David Leitch one half of the directors of the first John Wick film. A spy story taking place in 1989 Berlin during the last days of the wall. MI6 spy Lorraine Wallace (Charlize Theron) being send to Berlin to retrieve a list which contains the information of all the MI6 and CIA undercover spies in Europe. She has to rendezvous with another MI6 agent David Percival (James McAvoy), he is an agent protecting a KGB defector that has this information inside his head. Now they must get the defector out of East Berlin.

I first want to highlight the positive things about the film: As expected from one of the directors of John Wick; the fight scenes in the movie are amazing. This fights are brutal; every object nail down or not are use against another human being. You sense the pain characters are feeling in this fights. The other positive thing is the look of 80s divided Germany, it has a great neon look.

The negatives of Atomic Blonde its poor and generic plot. They are using the tired plot of the list with all the spies information is quite played out. I see in a lot of spy films and most of them lately.

The other problem is its 80’s soundtrack. I should not have watched this film after seeing Baby Driver; which has an amazing soundtrack. In the other hand this soundtrack fell like they were putting a lot of random 80’s pop hits. This soundtrack felt like one those Totally 80s soundtrack compilation you find in the bargain bin. You have heard this songs a thousand of times and their not bad; their great songs in fact. The problem their not use in a clever way and you don’t find a rare song in this soundtrack. Baby Driver uses Queen’s Brighton Song for an action scene and Atomic Blonde uses Under Pressure for an action scene; this shows you the difference between the 2 films.

Atomic Blonde is an ok film; not one in you should seek out at the theater; it’s better until you can see it at home.

SXSW Review: Baby Driver


       I still think Hot Fuzz is Edgar Wright’s funniest film; but Baby Driver is his greatest accomplishment as a filmmaker. Wright goes reaches a whole new plateau with Baby Driver, in editing and directing. He even surpasses in his use of music on film.

Baby Driver is about a kid name Baby and he is the best getaway driver in Atlanta. He can disappear from the sight of cops in a blink of an eye. Baby works for a man named Doc (Kevin Spacey) a crime boss baby owes a debt he must repay by doing jobs for him. Baby wants to pay his debt to get out of this life of crime. He has one more job to do and he can go on the road with his girlfriend.

Baby suffers from tinnitus brought about an accident in his childhood. He listens to music to drown out the noise. He also can read lips; which he learn from his blind foster father who is a deaf/mute. Baby also has a playlist setup whenever he is in a heist. This gives the film a great soundtrack which use effectively to show the mood of Baby. It makes the film also feel like a musical; where none of the characters sing. The soundtrack is so masterfully done that even gunshots in a shootout are match with the songs. I was amazed, I never seen a film use music this way before.

The supporting cast are also amazing. Kevin Spacey as Doc, he is a great manipulative and intelligent criminal mastermind that seems to have connection with every criminal in Atlanta. He plans the heist in which he rotates the people in the teams; with the exception of Baby.

Other crew members are Buddy (John Hamm) and Darling (Eiza Gonzales), a criminal married couple that are mad for each other.  Buddy is one of the few criminals that shares Baby’s passion for music. He is cool under pressure and a total professional. After Baby I found Buddy the most complex character in this film; he will surprised you. His Girlfriend is a beautiful and tough woman deeply in love with her man.

Then there is Bats (Jamie Foxx) the complete opposite of Buddy. He hates Baby and is his primary antagonist in the film. He is volatile and suspicious of everyone. Foxx is funny as always; but he gets to display a bad side of him I never seen before out of him.

The soundtrack for this film is great; a mix of 70’s punk and R & B. There are popular songs in the film; but there are obscure songs such as BRIGHTON SONG by Queen, which is use to perfection in a chase thru a parking garage. They also EASY by the commodores great.

The car chase in this film is a combination of the old and the new. I feel like Wright found the middle ground between fast and the furious and drive. You get both the fancy style of driving and the stealth driving of escaping the police. All this car stunts were done practical; so everything that you see here happen while shooting the film.

I knew this film was going to be good; but this ended up being a masterpiece. Baby driver is one of the must see film of this year. I just hope that the public does not missed it.